Going even further back, there’s an entire layer of hell dedicated to lust, and decadence (including activities such as orgies) led to the fall of the Bible’s Babylon. In literature, Dracula was a deeply sensual book, and the vampire stories have always wound around sensuality. You could always guess who was about to die in a slasher film through the 70’s through 90’s the moment a hot young couple started tearing the clothes off each other. An overwhelming number of horror books, films, and games also heavily feature sex as a theme. We don’t need to look far to find examples of what Bataille is talking about. “Extreme seductiveness is at the boundary of horror.” It presupposed man in conflict with himself (Death and Sensuality: A Study of Eroticism and the Taboo.” Desire in eroticism is the desire that triumphs over the taboo. “Eroticism differs from animal sexuality in that human sexuality is limited by taboos and the domain of eroticism is that of the transgression of those taboos. Not one to limit his philosophy to a single book, at other times, Bataille wrote things such as: In general, people savour the "pleasures of the flesh" only on condition that they be insipid.” They are never frightened by the crowing of a rooster or when strolling under a starry heaven.
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“To others, the universe seems decent because decent people have gelded eyes. It also contains pearlers of quotes such as: It’s a book that’s designed to make you fundamentally uncomfortable. Story of the Eye becomes increasingly depraved in the sexuality it exhibits as the book pushes on, and it certainly makes for uncomfortable reading. Transgressive literature being a genre in which the author breaks down taboos in order to address deeper philosophy (as a side note: you’ve probably heard of Marquis De Sade… he’s an even more famous example of this genre). The Story of the Eye is a short novel that was considered pornographic for the longest time for breaking all kinds of taboos associated with sex and sexuality, until on further analysis people started to come to the conclusion that the metaphors were too strong to be “mere” offensive smut and that’s when it was re-evaluated as an example of transgressive literature. So let’s get back to Bataille and the Story of the Eye. Gal*Gun 2 explicitly breaks with a whole bunch of taboos. Putting it more bluntly: In Gal*Gun 2, which is set at a school, you play as a student that acquires the ability to use a pheromone gun to bring the girls around you to ecstasy, or alternatively use its secondary function as a kind of vacuum cleaner that can rip the uniforms right off them. This is, after all, a game that doesn’t hide from its fanservice, and just happens to locate that fanservice within an environment that can be best described as taboo.
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Related reading: Our review of the original Gal*Gun in the west (Gal*Gun: Double Peace)